Poster AP 25

Trailblazer Award	Tania das
Dreamspinner Award	Binoy Jana Fiza Tarafdar Pritam Sarkar Sangita Sadhukhan
Mastercrafter Award	Ankur Chatterjee Anusuya Sen Arijit Jana Ayan Das Ayesha Sultana Pramanik Debopriya Sarkar Esha Roy Eva Prakash Koushik Nath Md. Shahin Mondal Meghna Naskar Neetika Maitra Omprakash Rajak Priyalisa Priyanka Roy Rinita Das Rishav Ghosh Sankar Ghosh Shibani Sarkar Shreya Paul Soumitra Das Soumyadeep Tripathi Sujata Sarkar Tiyasa Mondal
Budding Weaver Award	Bidhi Shaw Mayuri Bachar Oishika Das Sahil Banerjee Soumitra Ghosh Subhrangshu Chatterjee Taslima Parvin

Trailblazer Award

“Maa” by Tania Das using Catchphrase “To you, my debt endless For tender affectionate days/ স্নেহ সবুজ দিন, তোমার কাছে ঋণ”

“An appealing thought expressed in an captivating composition. Appropriate the interpretation of the catchphrase! Set against a background, with barely visible icons of cherished professions, the image of the mother highlights her creative role most effectively.“- JURY.

Dreamspinner Award

“Save water” by Binoy Jana using No Catchphrase.

“Excellent work in all respect.”– JURY.

“Save Home” by Fiza Tarafdar using Catchphrase “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়”

Also Mastercrafter Award winning Entry :

“Stop racism” by Fiza Tarafdar using Catchphrase “But oh dear, forget how much we differ / “ভুলে যা ভাই কাহার সঙ্গে কত টুকুন তফাত হল”.

“Good concept, good execution.”– JURY.

“LGBTQ” and “Preserve” by Pritam Sarkar using Catchphrases “But oh dear, forget how much we differ / “ভুলে যা ভাই কাহার সঙ্গে কত টুকুন তফাত হল” and “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়” respectively.

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“Excellent thinking and intelligent interpretation of the catchphrase. The poster is thoughtfully composed with imageries appropriately drawn to express the idea. It displays very good graphic skills and thoughtfully composed text to convey the message.”– JURY on LGBTQ.

” Brilliant concept. Bold, intelligent execution with an excellent colour scheme and interesting text.”- JURY for “Preserve”.

“Situation” by Sangita Sadhukhan using Catchphrase “To you, my debt endless For tender affectionate days/ স্নেহ সবুজ দিন, তোমার কাছে ঋণ”.

“Excellent thinking and interpretation of the catchphrase. The poster alerts the viewers about the future consequences of our present practice and calls for action. We believe acquiring better graphic skills will help you in creating such socially relevant works much more effectively.”– JURY

Mastercrafter Award

“Yaar jaan” and “Maternity” by Ankur Chatterjee using Catchphrases “But oh dear, forget how much we differ / “ভুলে যা ভাই কাহার সঙ্গে কত টুকুন তফাত হল” and “To you, my debt endless For tender affectionate days/ স্নেহ সবুজ দিন, তোমার কাছে ঋণ”.

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“Quite good a work but falls a little short of being an excellent poster.”– JURY for Yaar Jaan.

““Beautiful idea. Execution not as good.”.- JURY for Materniety.

“Hunger” by Anasuya Sen using No Catchphrase .

“Good digital work. Good concept, beautiful execution.”– JURY.

An Untitled Artwork by Arijit Jana using Catchphrase “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়.”

“Commendable work. Beautiful idea, good composition, good artwork.”- JURY.

“The Eater” by Ayan Das using No Catchphrase.

Also, Budding Weaver Award Winning Entry :

“Friendship” by Ayan Das using Catchphrase “But oh dear, forget how much we differ / “ভুলে যা ভাই কাহার সঙ্গে কত টুকুন তফাত হল”

“Good idea. Fair execution. But why blanket use of color for village and city life?–JURY for Eater

“Good fable-like concept. Good execution. Bright colours.”– JURY for Friendship.

“We’re Same” and “Education is Life” by Ayesha Sultana Pramanik using Catchphrases “But oh dear, forget how much we differ / “ভুলে যা ভাই কাহার সঙ্গে কত টুকুন তফাত হল” and “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়”.

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“Very simple idea. Straight direct execution.”– JURY for We’re same.

“An eye-catching poster with a clear message. Good concept and clever interpretation of the catchphrase expressed skillfully.”– JURY on Education is life.

“Khide” by Debopriya Sarkar using Catchphrase “But oh dear, forget how much we differ / “ভুলে যা ভাই কাহার সঙ্গে কত টুকুন তফাত হল”.

“Good work but lacks finishing.”– JURY.

“Fall” by Esha Roy using Catchphrase “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয় “.

“Very good work but the theme lacks clarity.”– JURY.

“Blindfold” and “Puzzle” by Eva Prakash using Catchphrases “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়” and “But oh dear, forget how much we differ / “ভুলে যা ভাই কাহার সঙ্গে কত টুকুন তফাত হল”.

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“Very good concept though deficient in execution.” JURY for Blindfold.

“Simple but quite interesting idea. Good execution.”– JURY for Puzzle.

“জোনাকি” by Koushik Nath using Catchphrase “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়”.

“Quite an interesting idea and very good execution.”– JURY.

“Green Womb” by Md. Shahin Mondal using Catchphrase “To you, my debt endless For tender affectionate days/ স্নেহ সবুজ দিন, তোমার কাছে ঋণ”.

“Deep idea. Beautiful execution. Nice caption.”– JURY.

“The winner” by Meghna Naskar using Catchphrase “But oh dear, forget how much we differ / “ভুলে যা ভাই কাহার সঙ্গে কত টুকুন তফাত হল”- JURY.

“Beautiful idea. Elegant, bold execution.”– JURY.

“Fake news “ by Neetika Maitra using Catchphrase “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়”.

“Very good concept. Good work overall.”– JURY.

“Dosti” by Omprakash Rajak using Catchphrase “But oh dear, forget how much we differ / “ভুলে যা ভাই কাহার সঙ্গে কত টুকুন তফাত হল”

“Good concept using the catchphrase, showing existence of an institution that practices what the artist intends to convey. Acquiring better skills of graphic art, the artist we believe will present us with more such inspiring creations in the future.”- JURY.

“Adhunikota” by Priyalisa using No Catchphrase.

“A fairly good composition, displaying good drawing skills. It is a good attempt to express a matter of concern, but the message intended to be conveyed is illusive. We believe, with more attention towards clarity of expression and use of appropriate imageries, you should be able to produce more attractive posters in the future.”- JURY

‘সবুজস্বপ্ন” by Priyanka Roy using Catchphrase “To you, my debt endless For tender affectionate days/ স্নেহ সবুজ দিন, তোমার কাছে ঋণ”.

“Displays excellent thinking and very good graphic skills. Cleverly uses the catchphrase to align the future dreams and the nostalgic past. A lovely poster with an explicit call for action.”– JURY

“Poster” by Rinita Das using No Catchphrase .

“Good concept and skillful use of mixed media collage. The imageries used in the poster are indeed innovative and promises more such ingenious creations from the artist in the future.”– JURY.

“Alo” by Rishav Ghosh using Catchphrase “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়.”

“Good concept on current issues. With a literal interpretation of the catchphrase, the poster makes a clear call for action. It displays good drawing skills. We expect to see such creations from the artist with more innovative thinking.”– JURY.

“E waste” by Sankar Ghosh using Catchphrase “To you, my debt endless For tender affectionate days/ স্নেহ সবুজ দিন, তোমার কাছে ঋণ.”

“Excellent thinking and imaginative presentation, displaying very good graphic skill. Displays a thoughtful interpretation of the catchphrase. An appealing poster with a clear call of action and aptly worded caption. Keep up your effort of making such creations of social relevance.”– JURY.

“Body shaming” and “Malnutrition” by Shibani Sarkar using Catchphrases “But oh dear, forget how much we differ / “ভুলে যা ভাই কাহার সঙ্গে কত টুকুন তফাত হল” and No Catchphrase respectively.

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“Good idea and very good use of colours. The composition is quite attractive and amusing. Good use of the catchphrase, though too direct. Expect to see expression of more imaginative ideas from you in the future.”- JURY on Body shaming.

“Good thinking and attractive presentation. The idea, though somewhat commonplace, is of immense social relevance. The poster displays good graphic skills. We expect to see such creations of social relevance with more imaginative composition from the artist.”- JURY on Malnutrition.

 

“Saridon Re” by Shreya Paul using No Catchphrase.

“A fascinating and captivating poster! As a design composed for commercial purposes, seems to be effective. Displays very good graphic skills. Expect to see you applying your skills to express your own thoughts in the future.”– JURY.

“Peace QR” by Soumitra Das using Catchphrase “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়.”

“Very good attempt to express a matter of serious concern. Quite a good interpretation of the cathchphrase, though a little obscure. The message is expressed clearly using the QR-code composed of religion icons, but could have been made more attractive with innovative ideas.”– JURY.

Also, Budding Weaver Award Winning Entry :

“UN-abuse” by Soumitra Das using Catchphrase “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়”.

“Very good attempt to convey a deep social insight, using the finger print (intended to be indelible) of child abuse on the figure. But, the interpretation of the catchphrase is rather tenuous. Composition is attractive, much like a good poster”– JURY.

“Nature” by Soumyadeep Tripathi using Catchphrase “To you, my debt endless For tender affectionate days/ স্নেহ সবুজ দিন, তোমার কাছে ঋণ”.

“Good thinking and interpretation of the catchphrase. With more drawing and painting skills, we expect the artist to produce far more attractive creations in the future.”– JURY.

“অধিকারে” by Sujata Sarkar using Catchphrase “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়”

“Good. A simplistic idea expressed without any sophistication. Expect to see more imaginative composition and greater graphic skills from you in the future.”– JURY.

‘Hope” by Tiyasa Mondal using Catchphrase “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়”.

“Very good! Use of light and shadow makes the poster visually attractive. The use of well-known icon of handholding in the letter ‘H’ in ‘Hope’ adds a dimension of societal interdependence.”– JURY.

Budding Weaver Award

“Pollution” by Bidhi Shaw using No Catchphrase.

“Beautiful work, but the style could be better and font size larger,”– JURY.

“Smoke” by Mayuri Bachar using No Catchphrase.

“Simple execution of a simple idea.”– JURY.

“আলো” by Oishika Das using Catchphrase “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়.”

“Very good idea. Good visualisation and execution.”– JURY.

“Difference” by Sahil Banerjee using Catchphrase “But oh dear, forget how much we differ / “ভুলে যা ভাই কাহার সঙ্গে কত টুকুন তফাত হল”– JURY.

“Good attempt. Very relevant matter of social concern expressed with the clarity required for a poster. With improved drawing skills and choice of colours, you should be able to present us with many more art works of social relevance in the future.”– JURY.

“Peace “ by Soumitra Ghosh using Catchphrase “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়.”

“A very eye-catching poster! A commonly held thought clearly expressed with good graphic skills. But, the interpretation of the catchphrase is rather tenuous. The pigeon, representing peace, could have been replaced with a dove.”– JURY.

“Vote” by Subhrangshu Chatterjee using Catchphrase “Turn on light … light not fire/ আলো জ্বালাও, আগুন নয়.”

“Good concept and an attractive composition, but lacks in clarity.”– JURY.

“Smoking” by Taslima Parvin using No Catchphrase

“Good, but too simplistic. Like to see more imagination and attractive composition from you in the future.”– JURY.